A look at the design, market and legacy of Victorian pottery

Thursday, October 20, 2022

The Majolica of Bernard Bloch

Bernard Bloch was born in Mecov, Austria in 1836. Raised in a family of German Jews, he had elementary formal religious training in a Jewish school. Rather than seek higher education, he began work at a shipping company in the Karlovey Vary region of Bohemia delivering clay to potteries for porcelain manufacture, a prevalent industry in the area. Through this connection he developed an education in pottery manufacturing which created an interest in entering the field. When a pottery in Uncin—then a city in Austria—came up for sale in 1869, he purchased it and entered the trade under the name of B. Bloch & Co.

Bernard Bloch c. 1900

The company made a wide variety of items from decorative art pottery to siderolith to majolica to table and sanitary wares. Smoking associated pieces though, became what they were best known for. In 1895 Bloch expanded his business by purchasing a pottery in Eichwald, Bohemia—present day Dubi, Czechoslovakia—and added tile and stove manufacturing to his line of ceramics. Bloch successfully ran the company there for the next fourteen years until his death in 1909.

Bloch majolica jardinieres and pedestals
Bloch majolica fruit plaque
Bloch majolica fruit plaque



Bloch majolica humidor
Bloch bar maid majolica match striker
Bloch majolica figural smoking stand

Bloch Ottoman soldier smoke stand
Bloch majolica boar smoke stand


Bloch majolica Native American smoke stand


Bloch majolica bird vase

After Bloch’s death, the company continued operation during the first World War in the production of majolica and art pottery under the Eichwald name, eventually incorporating in 1920 under the name of Eichwald Porcelain and Stove Company Bernard Bloch & Co., now part of Czechoslovakia. The pottery continued the manufacture of majolica long after most potteries had stopped making the ware.   

Until 1940 the pottery continued successful operation when, during the Nazi occupation, the Jewish owned company was seized from the Bloch family and given to the German Dr. H. Widera & Co. and renamed Eichwald Porcelain, Stove, and Tile Factory Dr. Widera & Co. 

Eichwald majolica hanging game plaque
Eichwald majolica hanging game group
Eichwald majolica cow and calf
Eichwald majolica faun and mermaid

Eichwald lily vase

Eichwald majolica basket
Eichwald majolica floral vase
Eichwald majolica plaque
Eichwald majolica jardiniere and pedestal
Eichwald majolica swan jardiniere
Eichwald jardiniere

Eichwald majolica dog humidor
Eichwald majolica frog humidor
Pair Eichwald majolica bud vases
Eichwald majolica figure
Eichwald majolica art nouveau vase
Eichwald majolica floral vase
Eichwald majolica garden seat
Eichwald majolica tazza
Eichwald majolica naughty dish

Eichwald majolica art nouveau sled vase
Eichwald majolica vase
Eichwald majolica swan sled
Eichwald majolica compote

Eichwald majolica vase

Eichwald majolica baby coach vase


Eichwald majolica bison pedestal

Eichwald majolica fruit bowl

Two years after the fall of Nazi Germany, the company was nationalized in 1947 under the Czech Republic and merged with Royal Dux and Count Thun’s Porcelain Factory into Duchcov Porcelain. They continued using the Eichwald name on some of their wares.

It’s debatable whether the pottery made after the World Wars should be considered majolica as we know it. It certainly isn’t Victorian majolica. It has a very different look from Victorian majolica, often using opaque glazes in addition to the more traditional clear glazes. Additionally it has more modern designs than what we are used to seeing with Victorian majolica. The pottery continued manufacture of this hybrid ware well into the late 1950s. 

Eichwald sphinx cigarette box
Eichwald vase
Eichwald basket

Eichwald compote

In 1957 Ducov merged with Carlsbad Porcelain which continues business today.

Throughout its existence Bloch/Eichwald also made some beautiful utilitarian and decorative pieces in porcelain, earthenware siderolith and terracotta decorated in matte glazes and enamels. These aren’t majolica and shouldn't be confused with it though it is frequently marketed as such. One clue in identifying it is when the body is visible where the enamel has worn through.

Bloch art nouveau vase
Bloch art nouveau basket
Bloch enamel painted siderolith figures. The siderolith body can 
be seen where the enamel has worn.
Bloch enamel painted siderolith figure

Eichwald siderolith recumbent boy

Bloch pottery was marked in a number of ways over the long length of its production. The earliest pieces were usually marked with a simple BB on the underside with a catalog number. In time the name Eichwald was added to the mark, sometimes in addition to the BB mark and sometimes without. The Czechoslovakia stamp was added after 1890. Porcelain was frequently marked with an ink stamp. 




Prices for the earlier Bloch and Eichwald pieces can be quite high though they never really approach those of the finest English, French and German majolica. Later pieces are generally much more affordable often because their hybrid nature isn’t recognizable as majolica.

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