A look at the design, market and legacy of Victorian pottery

Saturday, December 16, 2023

Modern Frog Faux Majolica & Reproductions

The definition of “faux” is something that is fake. 

One of the most popular areas of majolica collecting is that of frogs. I’ve written about genuine Victorian majolica frogs before in this blog but have never addressed the ENORMOUS number of modern majolica style creations that exist. The vast majority of these modern frog pieces are not copies of Victorian designs. They are contemporary creations done in a majolica style or “faux majolica.” Most of these are created by manufacturers, overwhelmingly from Asia, who try to capitalize on the popularity of Victorian frog majolica, often with an Asian aesthetic like the bowl below. 

Modern Asian faux Victorian bowl

I have no problem with the manufacture of these pieces themselves. The problems arise when the paper labels that these pieces bear for import into the United States are removed for sale on the secondary market. These faux Victorian, or as they are usually advertised vintage pieces, are passed off by ignorant or disreputable dealers as being antique. The online auction site eBay is saturated with these vintage pieces as are auction houses. I get far more questions about these modern pieces than anything else, so I’ve decided to address some of these contemporary frog pieces in a special post.

The easiest way to detect these modern pieces that are being sold as antique is by the glaze. Victorian majolica is clear, transparent, shiny and iridescent. It is always a realistic representation of things in nature. Modern majolica is none of these things. It is generally cloudy or opaque and semi glossy. They often have unglazed areas incorporated into the design and designs are often cartoonish. 

Modern Asian fromg stand

Modern pieces can be seen with two levels of craftsmanship: some well glazed; some sloppily made with glazes running into each other so badly you can’t tell one part of the design from the next. You would never see that in Victorian majolica. Even the most carelessly glazed Victorian pieces don’t have the kind of poor craftsmanship seen in modern pieces. The best way to illustrate my point is by showing some examples. I have included reproductions of Victorian designs here as well. They are identified as such.

This particular design is being made in many different sizes with 
different numbers of frogs.


Modern frog compote

Modern frog compote

Modern frog compote

Modern frog server

Modern frog teapot

Modern frog teapot

Modern frog musician inspired by a Schiller & Son original

Reproduction of an Austrian frog humidor

Modern frog vase

Modern frog planter

Frog jardiniere
Modern frog vase

Modern reproduction of a Minton design

A reproduction of a Minton design

A reproduction of a European design

Asian frog and bamboo pitcher
This modern piece has unglazed eyeballs–something you 
would never see on an antique piece The design is also cartoon like
Victorians were interested in realistic. representations.

One of the most commonly found pieces is actually based on an original Victorian design but modified rather drastically. I’ve written about these here. These faux Victorian majolica frog pitchers have become their own industry with a variety of different designs to choose from.

Modern faux majolica frog pitcher

Looking at these examples you can see the cloudy nature of the green glaze that is used. Victorian glazes, like the one below, are never cloudy. They are always transparent.

Victorian majolica frog pitcher

Designs on these modern pieces are also often rather clumsy, like the vases below.

Modern frog vase. Note the unglazed eyeballs on the frogs.

Asian frog vase

The posted images above are just a small fraction of the new frog pieces being currently made. For frog collectors who aren't looking for antiques they are very nice additions to a frog collection, but as antiques they are a complete fail. 

I would give one word of advice on those who may be interested in purchasing these modern pieces. Almost all of them sell new at wholesale for under $10. They are imported from Asia by the thousands. I would suggest shopping around before buying for the best price. If you are an antiques collector however, pass them by.

Thursday, December 7, 2023

Majolica in the Movies: On Borrowed Time (1939)

On Borrowed Time is a fantasy film about an old man trying to delay Death from taking him away from his family. The movie is another from the greatest of movie studios MGM made during what is arguably the finest year of the golden age of film studios, 1939. The old man is played by Lionel Barrymore of the great acting Barrymore dynasty. The personification of Death is played by Sir Cedric Hardwicke.

Originally a novel by Lawrence Watkin which was  later turned into a successful Broadway play by Paul Osborn the story is a reimagining of one of Chaucer’s Canterbury Tales, “The Pardoner’s Tale.”

On Borrowed Time novel
Playbill page from the original 1938 Broadway 
production of On Borrowed Time

The plot is unusual. The old man and his wife are the caretakers of their grandson whose parents have died. The man is approached early in the film by a stranger representing Death, here called Mr. Brink, who asks him to follow him, giving no more explanation than that. The Barrymore character suspects the true motive of the stranger and succeeds in trapping him inside a magical apple tree rendering him powerless. The remainder of the movie involves Barrymore coming to terms with Death and how it fits into the fabric of life.


Lionel Barrymore, Bobs Watson, Elly Malyon, James Burke and 
Henry Travers in a scene from On Borrowed Time

Sir Cedric Hardwicke as Mr Brink

At one point in the film the old man and his grandson Pud, played by the always annoying Bobs Watson, are dining in their home. It is here where the majolica comes into view. On a mantle in the dining room are two majolica oak leaf and acorn platters and two Etruscan begonia leaves.

Bobs Watson and Lionel Barrymore in On Borrowed Time

For regular readers of this blog you know this isn't the first, or even the second time we've come across these majolica pieces in MGM movies.

Etruscan Majolica begonia leaf
Majolica oak leaf and acorn platter

One of the Etruscan dishes was previously spotted in National Velvet. The oak leaf platters were seen in both  Lassie Come Home and Of Human HeartsAll four of these films are MGM movies from the golden era of film, 1930-1945. The set decorators at MGM certainly must have loved these plates to use them again and again. Still, I was a little surprised to see them in such a refined setting. They had previously appeared in movies with more rustic backgrounds. 

No question though that it’s always a fun surprise to spot these pieces in the background of movies from so long ago.

The film is available to see on both disc and streaming platforms. To view the movie trailer go here.