A look at the design, market and legacy of Victorian pottery

Saturday, December 3, 2022

The Majolica of Royal Dux

Royal Dux majolica duck grouping

History

Eduardo Eichler learned his trade at a pottery in Unčín owned by the Huffzky family. He began in 1853 by renting a small tile company in Duchcov owned by a relative of the Huffzkys. He then founded a pottery in Duchcov in 1863 which he named after himself, E. Eichler Thonwaren-Fabrik. Five years later he purchased anther pottery in Šelty in Česká Lipé to expand the pottery line. The new line included terracotta, porcelain, siderolith, earthenware and enamel decorated earthenware. He also helped to build a professional ceramics school in Teplice. 

Eduard Eichler (1830-1887)

In the 1880s he began the production of majolica. The company prospered under Eichler’s ownership winning a silver medal at the Exhibition Universalle in Paris in 1878. At Eichler’s sudden death from a heart attack in 1887 it then came under the direction of Eichler’s widow Marie and her eldest son Anton Franz Eichler who took over leadership of the pottery. 

They ran it alone until 1891 when Anton purchased the company from his mother with investor Wilhelm Hans who supplied a much needed infusion of capital. Under his direction the company continued to flourish and entered its most successful period. Hans introduced production of a new soft paste porcelain. At the Chicago World's Fair of 1893, the company exhibited delicate figures, vases and lamp bases.

In 1897 the company became a joint stock company and changed its name to Dux Porzellenmanufter A.C. Further expansion on March 18, 1901 and the factory became Duxer Porzellan-Manufaktur, Actiengesellschaft vormals Ed. Eichler, through the purchase of a porcelain factory in Blankenheim, Germany. The factory obtained a permit to operate in Austria in the commercial register of the royal court in Berlin where corporate headquarters were moved and the pottery took the name Royal Dux. 

Royal Dux majolica leaf
Royal Dux majolica leaf plate
Royal Dux majolica peacock vase
Royal Dux majolica flamingo pitcher
Royal Dux majolica crane vase
Royal Dux majolica crane vase
Royal Dux majolica rooster
Royal Dux majolica female bust
Royal Dux majolica 17th century figure 
Royal Dux majolica conch vase
Royal Dux majolica goat cart
Royal Dux majolica ostrich cart
Royal Dux majolica cane stand/floor vase
Royal Dux majolica cane stand/floorvase
Royal Dux majolica umbrella/cane stand
Royal Dux majolica heron cane stand/vase
Royal Dux majolica crane cane stand/vase

Designer Alois Hampel is certainly the most well known of the sculptors who worked for Royal Dux during this time. A native of Duchcov, he worked at the factory for 55 years beginning with an apprenticeship at the age of 14. As chief modeler, he is responsible for much of the successful figural work created at the pottery in the first quarter of the Twentieth century. Under his hand many of the most elegant Art Nouveau figures produced by Royal Dux came to fruition for which the company won much acclaim winning awards at the St. Louis World's Fair of 1904 and the Milan International Exhibition in 1906. This success expanded their export market throughout Europe., the United States and beyond.

Alois Johann Hampel 1853-1924
Royal Dux majolica flamingo cane stand/vase 
attributed to Alois Hampel
Royal Dux majolica flamingo cane stand/vase 
attributed to Alois Hampel

Royal Dux majolica flamingo pedestal and jardiniere 
attributed to Alois Hampel
Majolica figure attributed to Alois Hampel
Royal. Dux majolica barboyine ewer
Royal Dux majolica terrine
Royal Dux porcelain figure by Alois Hampel c.1918

Art Nouveau porcelain figure attributed to Alois Hampel

With the decline in popularity of majolica after 1920, Royal Dux’s focus turned to other bodies, mainly porcelain. A succession of owners continued production through the Twentieth century. After WWI and the resulting depression the company headquarters returned to Duchcov, where economic realities caused quality to suffer. Production during WWII declined. Production was again transferred to Berlin in 1935 and pieces were marked Royal Dux Deutschland. These German pieces began a new marking system utilizing a three digit number and the letter P.

In 1945 after WWII, the company again returned to Duchcov when Bohemia, Slovakia and Moravia combined to create Czechoslovakia. In 1947 Royal Dux was nationalized. Eichwald Pottery, Royal Dux and Count Thun’s Porcelain Factory were combined and the resulting company was renamed Duchcovsky Porcelain, a name it retained through the Russian occupation. 

In 1957 the company merged with Carlsbad Porcelain. The company factory in Duchcov was taken under stock ownership again in 1992 and changed its name to Porcelánová Manufactory Royal Dux Bohemia A.S. The company became an independent joint-stock company again until 1997, when it became a member of the Český Porcelán group as part of a capital merger until this year 2023, when it permanently ceased operations on March 1. The company continues to operate in Dubi, Czechoslovakia.


Early 20th century Royal Dux Egyptian tazza 

Modern Royal Dux porcelain polar bear

Marks

The Royal Dux Bohemia trademark name has remained in continuous use throughout the Twentieth century to present day. Today, Royal Dux mainly produces porcelain, sometimes utilizing prewar molds. 

Royal Dux pottery is usually marked. Their most distinctive mark is the pink triangle which started in use c.1860. The mark continued in use through the Twentieth century, both as an applied pad and as an ink mark, joined in 1919 by the phrase Made in Czechoslovakia. This remained in use until the company was taken private in 1990 and the mark changed to Made in the Czech Republic. The mark often included a stylized acorn. A plain text mark has also been used.

From 1918 outward
Royal Dux mark 1900-1918. The E is for founder Eichler
Royal Dux Deutschland mark 1936-1945
Royal Dux mark used from 1918-1935
Royal Dux mark 1918-1935
Royal Dux Bohemia mark 1913-1918
Present day

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